![]() ![]() These catalogues sometimes also include unpublished sketches, incomplete drafts, even doubtful works and those known to have been spuriously attributed, as well as writings and other non-musical output. In some cases, the opus numbers that were established during the composer's lifetime are still used, but symbols from alternative comprehensive catalogues are used for unpublished works or works that have come to light since the composer's death.įor the above and other reasons, musicologists have often found it necessary to produce comprehensive catalogues that incorporate the most up-to-date information available about the composers' works. Other composers simply never used opus numbers at all (examples include Copland, Vaughan Williams and many other 20th-century composers). There are cases where works that a composer chose not to publish were published after their death and assigned very late opus numbers that often give a misleading idea of their order of composition (cases include Mendelssohn, Chopin and Tchaikovsky). He stopped the system in 1921 because of the difficulty of distinguishing between original works and ethnographic arrangements, and between major and minor works. ![]() For example, Bartók three times started numbering his works with opus numbers.
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